Welcome back! I’m glad you have returned for part 2 of this mini tutorial on needle-turn hand appliqué. If you have not yet read part 1 of this series, find it here: Hand Appliqué Tutorial – Part 1.
Last week I shared my preferred and recommended needle-turn hand appliqué tools, tips on how to prepare and use templates, and how to prepare the appliqué shapes for stitching. This week, I will cover preparing your quilt top or background block, laying out the appliqué design and the appliqué stitch.
Preparing the Background
Step 1: Whether your background is just a block or a quilt top, I recommend applying Fray Check to the edges of the fabric as shown:

Since the background is handled a lot while the motif is stitched down, adding Fray Check to the edges limits the chance that the seam allowance will fray away by the time the project is finished. This is an optional step, so you can choose to do it or not.
Step 2: When laying out an appliqué motif, you can create a guide to help get the design in the right place on the background fabric. To do this, either fold the piece of fabric to make a grid or use your chalk pencil to draw light lines. The photo below shows the fold lines from that technique:

Of course the folding technique will not work with a full quilt top, but you can use the chalk pencil lines in that case. My finger (in above photo) is pointing to the center where the fold lines cross. Knowing where the center is comes in handy if the appliqué motif needs to be centered.
On projects where the appliqué is in a border area, like along the edges of a quilt, or blocks that will have to be pieced together, draw a line 1/2″ in from the fabric’s edge (see below). This allows for the 1/4″ seam allowance needed in piecing the quilt and adds in an extra 1/4″ to keep your appliqué design away from any future seams.


Before I came up with this step, I would finish stitching my appliqué and then realize I was too close to the edge of the fabric and into the seam allowance. This made it necessary to remove those appliqué pieces and re-stitch the whole area, which is something I like to avoid that as much as possible.
- Helpful TIP: Appliqué stitching can shrink down your block as you stitch the design. If your block or blocks are supposed to be 12 1/2″ when you are done stitching, consider cutting them larger. For example, for this 12 1/2″ block for this series, I have you cut your background piece 13 1/2″ so there’s an extra 1/2″ to play with on all four sides. Then the block is trimmed down to 12 1/2″ when the stitching is done.
- Of course this is not possible when you are stitching an appliqué motif to an already pieced block or quilt top. My advice when working on these types of projects is to not pull your thread too tight while stitching. It’s the over-tightness of the stitches that can “shrink” a pieced block or pieced area of a quilt top.
Step 3: Below are photos of a design layout using a few of the tips I talked about above. I’m using creases in the background and my ruler to lay out my design. When positioning stems, I use other appliqué pieces as a guide to make sure the stems are placed correctly on the background.



As you can see from the above photos, I have placed the center motif pieces for the block we’re working on at the center to line up the four stems. Once the stems are placed where you want, you can secure them with small dots of glue and stitch them down. I generally stitch stems down first before stitching any other part of the design.
Once you are done stitching the stems, you can use small dots of glue to position the other motif pieces prior to stitching.

Make sure not to use too much of this glue. A little goes a long way and the bond becomes secure after about 30 seconds of pressure. Too much glue may bleed through the appliqué piece and show on the top. Roxanne’s glue is water soluble so if you accidentally get some on the top of the appliqué or background, dip a Q-tip swab in water and rub it gently over the area to remove it. Be sure only to use water soluble glue to affix appliqués.
Stitching Time!
Begin your stitching on a side of the appliqué piece that is the straightest. However, if you are stitching a circle, obviously there is no straight side! The goal when you are stitching is to hide the stitches on the top of your project as much as possible. That’s where thread color, good lighting and even a magnifier comes in handy (the lighting and magnifier was discussed last week). You can either use a thread that matches the color of your appliqué or use neutral threads of various shades that blend in well with any color.
So on to the stitching steps!
Step 1: Use the tip of your needle to sweep the clipped seam allowance under, up to the drawn line, in the direction you will be stitching. Hold this in place with the thumb of your other hand as you move to the next step.

Step 2: Start your stitch from underneath your project pushing the needle up and catching the edge of the fold on the appliqué created by sweeping the seam allowance under.

Step 3: Push the needle back down into the background fabric only, right next to where your needle came up initially. Once the needle is pulled back through from underneath, you can see how the stitch is just a little “dot” visible on top. That’s what you want the stitches to look like… barely noticeable. As you get more familiar with the stitch, you will be able to combine these steps into a fluid motion, going down in the background and instantly coming up to catch the appliqué’s edge for the next stitch.



It’s not too easy to see the one stitch from photos above, so that’s why I have a stitching video at the end of this blog post to see it done in motion. But, here’s some close-up photos from an earlier project of mine that shows the finished stitch a bit better (right):

If you look closely, you’ll see the little red “dot” on the edge of the appliqué, out from my thumb nail. That’s the stitch! If you have to look that hard to see it, that means your stitching is successful.
So that’s it for this week. The stitching demonstration should give you something to practice. Consider grabbing a scrap piece of background fabric and tracing out a shape to appliqué onto it for practice.
Until next week, parts 3 and 4 of my appliqué series should keep you busy. The videos are at the end of this post. Enjoy! Part 2 deals with creating stems from bias strips when you need stems that curve for a project, something we didn’t need for this one. Since that will be covered next week, that video will appear then.
Remember to leave a comment or ask a question below and you will be entered into a drawing for my appliqué gift pack!

The drawing for the gift pack will be on Monday, August 19th. Good luck! ***We have a winner! Congrats, Karen Addleman!***
Happy appliquéing!
Deanne



Love your designs and all of your helpful hints.
Thanks for all of your great tips!
Thanks for the tips and video. Looking forward to the next week’s tutorial.
Great photos & videos. Cutting block larger to allow for shrinking is a good idea. Learned that from experience. Thanks
I have used a light box, sketching lines lightly to position my applique pieces. Thanks for your tips!
I like the light box idea. Great way to position appliqué pieces.
Needle turn applique is the best!
I learn so much from your tutorials. I print them and keep them in a spiral notebook so I can go back and read them and check to make sure I am doing things correctly. They have been so much fun and a blessing to. Thanking you for sharing all this knowledge about quilting and for all the time you put into it.
I learn so much for your tutorials. I print them and keep them in a spiral notebook so I can go back and read them and check to make sure I am doing things correctly. They have been so much fun and a blessing to. Thanking you for sharing all this knowledge about quilting and for all the time you put into it.
Thanks! That’s a high compliment. 🙂
Thank you for your great tips I think I will try appliqué again.
I have. Ever used fray check around the edges. Great idea. Easier than putting in a temporary hem
That’s a lot of info packed into this post. I always seem to have trouble making stems because they are so narrow and difficult to work with.