It’s true! Needle-turn hand appliqué is easier than you think. It’s time for my annual tutorial on appliqué. I’ll start with a little history of appliqué and then move onto my first lesson, which covers supplies and preparation. Then there will be two more lessons in the next two weeks. I hope to de-mystify hand appliqué and create more appliqué converts!
What is Appliqué?
It’s from the French word appliquér meaning “to apply” or “to put on”. That’s what you are doing. You are applying a fabric motif to your quilt. Appliqué has been found on quilted items dating to the 9th century! But we’re going to talk about appliqué that is a bit more current.
Appliqué in the early17th to 19th centuries in American progressed from broderie perse style quilts, which are a medallion style quilt, to Baltimore Album style block quilts, with a different appliqué design in each block.
How I Use Appliqué
My favorite use of appliqué is to add accents to a quilt by either appliquéing on or around the blocks or framing the design. Many times when I get done piecing a quilt top, I think it looks sort of bare without appliqué. Here’s a few of my quilts where I did this:


Then there are the quilts there I have appliqué in the blocks themselves. High Prairie Blooms (left) has alternating fully appliquéd blocks. Wildflower Lane has appliqué added to pieced blocks.


Supplies
Now it’s time to get to the supplies you need for getting started on an appliqué project. Let’s start with my favorite supplies. Other hand-appliqué instructors may have different supply preferences. Feel free to try out all of the recommendations to see what works best for you.
Needles: These are an essential tool for hand appliqué. Finding the right needle for you is important. These are my favorite brand, John James Gold ‘n Glide:

These needles come in various lengths. The higher the number, the shorter the needle. I like size 9 because I feel it’s the right length for me. Test different size needles to see which length fits you best. I’ve also found that this brand of needle glides easier through all types of fabric, including batiks. This is something you need to consider. If you have trouble getting your needle to go through the edge of your appliqué it could be because you are not using the right needle, that will make appliqué process more frustrating.
Also, change your needle often if you appliqué a lot. Needles will bend out of shape and also become dull with usage. A good rule of thumb is to use a new needle every time you start a new project. Another piece of advice is change your needle for every 10 hours of use, which could happen if you are working on a large project.
Threads: This is actually where a lot of designers have different advice. My favorite thread to use is a 100% silk-finished cotton thread. Here’s some of the threads I use:


I recommend matching your thread color as closely as possible to the color of the appliqué piece to help hide stitches. These threads, Mettler 50wt 100% silk-finished cotton, come in a large variety of colors and is my favorite brand. Some appliquérs like to use an array of neutral threads (right) from dark to light to stitch. They use darker neutrals on darker fabrics and lighter neutrals on lighter fabrics. Try it both ways to see what result you like best.
There are also appliquérs that recommend 100% silk thread because it is finer and the stitches are easier to hide. I have found it to be too thin for my liking, but give it a try and see if you like it.
Other Tools: Here are two other items I can’t live without. Roxanne’s Glue Baste-it and Sewline brand marking pencils.

I love this glue because it replaced the pins I needed to secure my appliqué pieces. I’ve been doing hand appliqué for almost 30 years and have had many finger sticks from appliqué pins over those years.
As for the Sewline marking pencil, this is a mechanical type pencil with chalk lead. The lead comes in a variety of colors (white, pink, green, and yellow) so you can see the markings on all colors of fabric. It’s erasable and completely disappears with a bit of water on a Q-tip. The glue is also water soluble so the Q-tip trick will work to get rid of any glue residue that ends up on your background fabric.
Good Lighting: Finally, good lighting is essential when you are doing hand appliqué. If you want to keep your stitches as small as possible so they are almost invisible, you need to have good light to see and, in some cases, a magnifier on that light. Here’s my desk top light:


I also have a floor lamp by my TV chair if I decide to stitch while watching TV. That one also has a magnifier.
Other items like scissors (both for fabric and paper), for working with templates and appliqué pieces, and rulers, for positioning the pieces of your appliqué motif, come in handy.
Preparation
Now it’s time for the preparation which refers to the templates, using the templates and preparing the fabric appliqués for stitching.
Templates: The first thing to learn about when beginning to appliqué is the templates: what they are and how to work with them. Templates are what you use to create the individual pieces of an appliqué motif.
I recommend copying the pages onto card stock and cutting out the templates to make them sturdier. That’s what I did with the templates on the right, below. I you don’t have a way to copy them directly to card stock, you can glue the paper page to a piece of card stock and then cut out the shapes.


This makes the templates more sturdy so when you are tracing the shapes onto the fabric, the templates don’t lose their shape from repeated use. You can also store the reusable templates in the pattern bag with the pattern for when you want to make the project again.
Tracing onto Fabric: The next step is to trace your shapes onto the fabric designated for the appliqué piece, using the templates. For needle-turn appliqué, the templates are traced on the right side of the fabric. Most templates in patterns are ready to use at 100%, as they are in all my patterns, but be sure to check the templates if you are using another designer’s appliqué pattern to see if there is anything you need to do before using their templates.
Some patterns will tell you to also trace a template “reversed” which just means to flip it over and trace some that way. This usually happens with non-symmetrical shapes or shapes that are used both ways.
My example below shows the method I use. Trace around the template and leave at least 1/2″ between tracings if you are tracing several of the same shape on the same piece of fabric. For needle-turn appliqué, you need this space to cut out the shapes with enough fabric to turn under while stitching, as opposed to machine appliqué techniques that require no seam allowance for turn-under.


Preparing the Appliqué for Stitching: Next step after tracing is to cut out the shapes and prepare them for stitching to the quilt block or top.
Cut the shapes out a scant 1/4″ outside the drawn line. This creates the seam allowance that is turned under when stitching. Then, use your scissors to make clips into the seam allowance up to, but not over, the drawn line (last photo).



The clips in the seam allowance make it easier to turn under the seam in sections to help keep the original shape of the appliqué piece. The curvier an area of the appliqué piece, the closer together your clips should be and there should be more clips than you would have on a straight side.
Now you are ready to pull out that appliqué pattern that’s in your stash and get started. Next week we will cover motif layout among other things.
Meanwhile, here’s a mini video tutorial covering the topics in this week’s post.
Leave a comment or ask a question in the comment section below and be entered into a drawing for my pattern, High Prairie Blooms.

The drawing will be the Monday after the appliqué series ends, August 4th, so you have 3 weeks to enter. ***We have a winner! Congrats, Lynn Telke!***
Happy Quilting!
Deanne

































































