Welcome back to my Block of the Week posts. It’s time for block 7. If you are just joining in on the fun, these block patterns are free to download. If you want to download the patterns from previous weeks, here is the link to last week’s post. From there you can get to the previous weeks.
I call this week’s block Secret Star. It’s based on a block called Laurel Wreath (I will cover a little of the block history later in this post). We’re back to using a background fabric and two color prints. This one has fewer pieces than last week’s block and is easier to piece. Since many of the blocks we’ve done in this BOW sew along have bias seams, I thought I would cover some facts and tips on fabric bias and working with those seams for this week’s tips. Let’s get started!
Block of the Week – Block 7
The bulk of this block is created with flying geese and half-square triangle squares. I once again made one block with a light background and one with a dark background. Here is the block:

Find the pattern instructions to make this block here: 2026 BOW Block 7.
Now here is my block with a dark background fabric:

Tip of the Week
We’ve been dealing with bias seams in a lot of these blocks, so I thought it would be a good idea to review facts about fabrics and tips on working with bias seams as opposed to straight seams.
Fabric Grain & Bias
To understand the difference between a bias (diagonal) seam and a straight seam and why they behave differently, you need to know about fabric grain and bias. This may be a review for experienced sewers and quilters, but it never hurts to see it again.
The lengthwise grain of the fabric runs parallel to the selvage and is the most stable grain of the fabric.


The line I’m pointing to in the left photo (above) is showing the lengthwise grain. In the second photo, notice how there’s not much stretch to the fabric when I pull on opposite sides of the piece of fabric. It’s a good idea to cut in this direction for long pieces needed for the project like border strips, if possible.
The crosswise grain is a little less stable than the lengthwise grain. It’s perpendicular to the selvage (the line my finger is pointing to below). As you can see in the next photo, there is a little more stretch to the fabric in this direction, but not by much.


Finally, the bias of the fabric is at the 45 degree angle from the selvage. This is where the fabric is the least stable.


It’s important to remember this because any seams that are diagonal are in the bias direction of the fabric. Any seam sewn on the bias must be handled with care when pressing it or ripping it out so the fabric is not stretched out of shape. Once fabric is stretched on the bias, it can and likely will remain distorted.
Tips for Stitching and Handling Bias Seams
Tip #1: Pinning is extra important with these seams. Pinning keeps the pieces being joined with the bias seam from shifting. If the pieces shift in stitching, your units will not measure accurately and you’ll have to re-do these pieces.
Tip #2: Because bias seams are stitched in the direction where the fabric grain is the most pliable, do not pull the unit through your machine as you are stitching. This is a good rule for any seam, but especially bias seams because the fabric can be stretched severely out of shape by doing this and then your unit will not measure correctly.
Tip #3: When pressing pieced units, whether with straight seams and bias seams, you should take care not to stress the seam. For units with bias seams, it’s extra important not to run the iron back and forth on the seam because this can stretch that area out of shape more than with a straight seam.
Tip #4: If you have to “un-sew” a bias seam, do it very carefully because that can also stretch this area of the fabric out of shape and fray it beyond use. This is a fabric saving tip because you won’t have to cut into more fabric to replace misshapen pieces.
A Little Block History
My block is a variation on a block from 1931 called Laurel Wreath. Here’s a drawing of that block with my block to the right of it:

As you can see, I just flipped the geese units and turned the center square into a square in a square unit using stitch and flip corners.
This block was re-published by Nancy Page in 1938 under the name North Carolina. Nancy Page was a columnist from around 1928 through 1945. This was actually a pseudonym she used to publish the quilt patterns she wrote about. Her real name was Florence LaGanke Harris, which also appeared along with her pen name when the column was published. She was a dietician and a food writer. Eventually she ended up at the Cleveland Plain Dealer as a home economics editor. She herself was not a quilter, although she collected antique quilts. She was tapped to write the column because of a quilting revival going at the time.
Her columns consisted of block patterns, color choice, quilting design and finishing for a quilt. She basically created a fictional “quilt club” where she shared the progress in making the blocks. Some block patterns that were published were actually sent in by readers of her column. The quilt column ended up being syndicated to over 400 newspapers.
That’s it for this week. Enjoy making the block!
Happy Quilting!
Deanne






























































































